June 29, 2009
“I have known many adults who have treasured throughout their lives some of the books they read as children. I have never come across any adult or adolescent who had outgrown comic book reading who would ever dream of keeping any of these “books” for any sentimental or other reason.”
Frederic Wertham – Seduction of the Innocent
Superman – Action Comics
Books about comics have become far more than just lists of titles and artists. This one delves deeply into the changes in society as a whole that brought about the comic code and the potential destruction and then re-birth of the industry.
Once to do research I had to visit a library in person. Now a few mouse clicks achieves far more. Wikipedia fills in many gaps and usually points you to further material. My favourite Blog “I’m learning to Share” seems to reach all the other parts that Wikipedia doesn’t. It is there you can find this in-depth article written by Mr Wertham (before his infamous book “Seduction of the Innocent”) and originally printed in the “Ladies Home Journal”. (I hope Mr In Crowd of Learning to share doesn’t mind that I have actually shared it !!!). I can imagine this article having an immediate impact on the mothers and housewives of the day….. far more so than any subsequent news coverage that would be generated on radio/tv/newsreels (?) over the next year or so.
As with Wikipedia, another place that will become more important as time goes on is the “Internet Archive”. Loads of stuff appears here, most of which is classified as “public domain” (although I’m sure some stuff isn’t). It is here that you can “roll back” Websites and see how they looked years ago. They also have things available for download like this 326 page transcription of the Juvenile Delinquancy (Comic Books) Senate hearings of 1954. If you like to fill your hard-drive with old junk you can download everything you never knew you needed to hear or see from old radio shows and ancient Betty Boop cartoons to hundreds of hours of live music by the Grateful Dead !!
June 22, 2009
No I can’t remember what I was doing 39 years ago this week. But its quite possible that I was watching the clock and waiting for the school bell before calling in at the Newsagents where I could well have purchased this issue of the weekly DC Thompson comic “Wizard” No 20 cover dated Monday 27th June 1970.
All the stories and art seemed to be done by “old” men and even in the dawning of the 70s the strips looked like they had been produced in the 1950s. In fact lots of UK comic strips at the time could be rehashed from 10 or 20 years earlier. One of my favourites was “The truth about Wilson” which was probably coming around again for the third or fourth time by the 1970s.
Often a popular concept like “The Steel Claw” from IPCs Valiant could be adapted by DC Thompsons to produce something like this similar-but-different “The Clutching Hand”.
What I do remember about the summer of 1970 is England not winning the World Cup as they had done 4 years earlier. I also recall attending my first ever pop concert to see Mungo Jerry (then at the top of the charts with “In the Summertime”).
Listen to what I was listening to on the radio at the time here.
June 19, 2009
I like reading European comics whenever I come across any. I can just about get by in German. My French is very rusty through lack of use. I only know three words in Flemish and one of those is rude !!
Luckily with “Gutsman” you don’t need to be fluent in Flemish/Dutch. “Gutsman” doesn’t have any words apart from the title. There are loads of word balloons though. These word balloons contain little pictures which describe what each character is saying. All very clever.
Erik Kriek, the writer/artist breaks the fourth wall by including himself in the story. (I like how he often depicts himself wearing a Fantastic 4 T Shirt !!) He is even part of the love triangle between himself, Gutsman and Tigra. This love triangle turns into a rectangle when Erik gets drunk and mistakes Tigra’s younger sister for Tigra. Another odd thing is the way the parents of the two “heroes” wear matching superhero headgear even though they are plainly just normal folk. And Gutsman’s enemies are perhaps not flesh and blood at all but just manifestations of his inner demons.
June 17, 2009
June 13, 2009
My first car was a Triumph Herald 13/60. This was shortly followed by a Bond Equipe GT4S. Although I have fond memories of this vehicle it really was in diabolical condition for a 10 year old car. Bond Cars of Preston built a few thousand of these hybrid coupes between 1964 and 1970. This particular model featured a glassfibre body upon a Triumph Herald chassis with a Triumph Spitfire Mk 2 1200cc twin carb engine (Mk 3 1296cc for the years 1967 – 1970). Unfortunately they also used the metal Triumph Herald bulkhead, floorpan and doors. With zero rustproofing in those days and only a cursory coat of paint they rusted away from the underneath faster than an early 1960s Vauxhall Victor.
British cars were evidentally easier to sell in the 1960s. Amazingly 2505 Bond Equipe GT4S cars were produced.There were also 444 of the earlier GT model and 1431 of the later (bodily revised) Equipe 2 litre in Mk 1, Mk2 and convertible form. I still own a 1967 Equipe 2 litre Mk 1 in white and rust (which is a story for another day).
PPS: Of course when I was younger/stronger/stupider it seemed to be a good idea to fix the rust by seperating body and chassis for easy access. A junior hacksaw blade “soon” cut through the mounting bolts and then it was the “simple” task of a person grasping each rear wheelarch and lifting. Nothing happened. I then remembered the handbrake cable was still connected. Once that was disconnected the car was in two halfs !!!
PPPS: Yes I know the rear outriggers under the boot floor are “wrong”. As far as I’m aware even when the cars were new these parts were unavailable. You just had to buy the Triumph Herald/Vitesse items and shorten them to suit. Also note the toe-in of the rear wheels without the weight of a body. Braking and/or taking your foot off the accelerator at speed on a tight bend in many of the early models of Equipe/Herald/Vitesse/Spitfire or GT6 could re-create this effect with dire consequences. To prevent the hassle of being upside down in a ditch or embedded in someone’s front garden wall the solution was to hang on tight and accelerate around bends !!! Often the vehicles handled better with the weight of four occupants or (my own favourite solution) two or three paving slabs installed in the boot !!
June 8, 2009
ITEM: I’ve often been known to champion the underdog here. Wait, wasn’t that a TV show circa 1956 (and a comic strip in “Buster” ten years later) ???……no that was Champion the Wonder Horse or am I thinking of Rex the Wonderdog !!)
John Otway has continued to snatch defeat from the jaws of success for thirty years. His first “hit” Really Free may have ended up as his only hit. However he has always had a loyal following of fans. For a birthday treat a few years ago they decided to get him another hit record. This was achieved by releasing a CD with a “live” B side (Yes I know CDs don’t actually HAVE B sides! …Track Two then…) which featured the voices of all the audience at an (excellent) live recording of “House of the Rising Sun”. The NAMES of everyone at the concert were included on the sleeve also. Consequently all participants bought multiple copies. That was sufficient to propel the A side “Bunsen Burner” into the lower reaches of the top 20.
Anyway despite having graced the UK pop charts with two “hit” singles John Otway still prides himself on being the world’s most successful failure. This quite interesting audio file in hissy mono from the radio gives some background details.
Perhaps It’s just me but I find all John’s music very enjoyable, particularly the ballads like “Place farm way”,the up tempo stuff like “Beware the flowers because I’m sure they’re gonna get you yeah” and especially the aforementioned live version of “House of the rising sun” which could well be the best ever version of this much-recorded tune. This CD has been playing in my car for the last 2 weeks and I’m still not fed up with it!!
June 5, 2009
When the UK offshore Pirate radio stations were silenced by the British Government on August 14th 1967 there was a gap of a few weeks before the BBC finally launched their own “all day pop music station” Radio 1 in September 1967.
This photograph was evidentally taken just before the launch of Radio 1. Some of these new DJs (some of which had transferred from the pirate stations) wouldn’t last very long at the Beeb. Others would have long careers there.
BACK ROW LEFT TO RIGHT
Tony Blackburn (Presented the first Breakfast show. Still in radio.)
Kenny Everett (Would move from Radio comedy to TV comedy.)
Pete Brady (Used to host the kid’s TV show “Magpie”.)
David Symonds (Went on to Radio 4.)
MIDDLE ROW LEFT TO RIGHT
Bob Holness (Would go on to present TV’s “Blockbusters”.)
Terry Wogan (I wonder whatever happened to him?)
Barry Alldis (Went to Radio Luxembourg. Died 1982.)
Mike Lennox (Moved to Canada.)
FRONT ROW LEFT TO RIGHT
Mike Raven (Left to work in “Horror Movies”.)
Mike Ahern (Went back to Australia.)
John Peel (Worked for Radio 1 for umpteen years until his death.)
I wonder how many of these people are still working in Radio (or even still alive……?)
PS: I was initially surprised that Jimmy Savile wasn’t on this photograph but it seems he didn’t join Radio 1 until 1968 after spending most of the 1960s at Radio Luxembourg. Johnny Walker is another of those DJs with a long BBC career who you think would have been there at the beginning of Radio 1 but of course in August 1967 he stayed aboard Radio Caroline and only re-surfaced at the Beeb in 1969.